To describe and assess the listeners experience of two different compositions or two performances of the same composition

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Sometimes it is created by “mixing” of several parts of the original composition, superimposing various sounds on it, special effects, change the tempo, key, and so on. There are different branches of re-mix, so-called megamix (compilation of several pieces of music), and a re-make re-work.
Looking at the pages of musical history, it is worth noting that the dawn of the era of the remix was at the end of the 20th century and nowadays. The fact is hat the technique is developing in parallel with improvement of remixing recording equipment. If person means taking as a basis the essence re-mix, reworking the melody, this trend has appeared in music long before the development of technology. One of the distinguishing features of the popularization of remixes, for example, the front direction of dance music, was the desire of musicians and DJs to return to the former popularity in some songs, giving them a “second birth”.
In 1972, when songs like "Hey Jude" The Beatles and "Layla" by Eric Clapton and Derek and the Dominos paved the way long songs in the charts, re-issued it and “Nights in White Satin” quickly gained gold status.
The song was written by Justin Hayward, when he stayed with a friend in Swindon in England on a bed with satin sheets. Experts find that the song is very autobiographical: the musician has just started a serious relationship (Manuel et al.56). Hayward was only nineteen at that time.
Most listeners heard this song in the music collections and on the radio, so not everyone knows that the album called “Nights in White Satin” was significantly longer. The single cut the orchestral introduction and the final, as well as the poem “Late complaint” written by keyboardist Mike Pinder and recited by drummer Graeme Edge. It must be said that the record was really teamwork. The authors of all the songs were listed as