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The Role Play of Chinese Woman

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The first chapter, No Name Woman starts with a clever talk story about an Aunt Maxine Kingston had no idea whether she even existed. As the story weaves its self using the narrator’s voice, we learn that Kingston’s aunt killed herself and baby by way throwing herself into the family well. This was primed on the stifling knowledge that her aunt had begotten an illegitimate child out of wed lock. Getting a child out of wed lock was something that was prohibited in the Chinese culture, therefore, when one become such a victim was perceived an outcast, and thought to have brought disgrace to her family. Ideally, when Kingston had this story from her mother, it dawns on Kingston that she is not supposed to utter the name of her aunt by all standards. She thus decides to confine the memory of her aunt in her imagination only. In the same context, Kingston manages to rekindle the terrible experience of her aunt giving birth in a pigsty, but no one bothers to give her gifts as it is with the Chinese culture, after one gives birth (Kingston 12). The second chapter White Tigers is concerned with another story talk about the mythical female hero Fa Mu Lan. Fa Mu Lan. This story is told through first person narration. Fa Mu Lan practices thoroughly to become a hero when is only seven years old. He captains over men by way of pretending to be a man herself. She does this with a view to fighting against corrupt tycoon and monarch. After Fa Mu Lan wars are completed, she commits herself to the roles of both a wife and a mother. This revelation provides a sharp dissimilarity between Ha Mu Lan and Kingston different lives. Kingston stayed in America which had visible vestiges of racism. Her bosses were purely racist, and there was no she could stand up to them. So the resolutely resorted to fighting them using her own words as the sole weapon (Dickson 13). The third chapter threads through Kingston’s mother, Brave Orchid, and her senile traditional life back in China. Kingston’s mother was very influential doctor, midwife. Going by the story her mother was also a destroyer of ghosts. To Kingston, her mother’s past is as incredible as it is petrifying. Brave Orchid’s tales she regaled to her about the Chinese babies left to die. child traffic involving young girls disturb Kingston for many eons (Kingston 34). Towards the end of the chapter, Kingston comes home after being away for many years. Eventually, the two reconcile and mend holes that dented on their relationship after disagreeing and disputing over certain issues for a long time. The fourth chapter At the Western Palace is based on another of Brave Orchid’s talk-stories. These talk stories touch on the subject of an emperor who had married two wives. This story is somewhat intoned with analogy for Kingston’s sister Moon Orchid. When you delve dipper into the story, you learn that Moon Orchid’s husband, an accomplished doctor based in Los Angeles, had left her back in China and married a second wife in America. She goes later to America to claim her due as his wife. She hardly knows any English. Furthermore, things worsen for and she left to provide for herself in America. In the end, Moon Orchid goes mad and succumbs to her illness in a California state mental hospital (Kingston 145). Lastly, the final chapter A Song for a Barbarian Reed Pipe is matter of factly a memoir. This story talks in great lengths about Kingston herself and her