The essay Salvador Dali – Metamorphose de Narcisse explores the painting of Salvador Dali, Metamorphose de Narcisse. He deliberately cultivated delusions similar to those of paranoiacs in the cause of wresting hallucinatory images from his conscious mind. Dali’s images – his bent watches, his figures, halfhuman, half chest of drawers – have made him the most famous of all Surrealist painters. Typically painting images he saw in dreams or nightmares and consistently pushing the envelope in terms of subject matter, Dali had a wide range of interests that became reflected in his artwork. These characteristics can be more fully understood by examining one of his better-known paintings such as Metamorphose de Narcisse which translates to Metamorphosis of Narcissus in English. Created in 1937, this painting falls without question into the Surrealist style. Part of the definition of Surrealism relies upon a heavy fantasy content, typically as it is revealed through the images of the subconscious, as well as an established connection with the world of which we are all aware. The Surrealists tried to create a new art mythology by fusing conscious with unconscious levels of the mind. Through this terminology, it becomes immediately apparent that the work of Sigmund Freud, who had but recently published his ideas regarding the three-tiered nature of the human mind, was tremendously important to the creation of Surrealist art. As the above definition indicates, most artists, including Dali.