Kathryn Bigelow

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The first film, titled The Loveless, was directed in 1982 proved to be a debutorial success few others have achieved in their careers. Further along her career, she continued to produce box office hits. She directed and produced blockbusters including ‘Blue Steel’, of 1989, ‘Hurt Locker’ 2008, and her most recent movie, which she produced and directed, ‘Zero Dark Thirty, 2012. All three movies will be discussed within this paper.
Sean Redmond and Deborah Jermyn in the book The Cinema of Kathryn Bigelow Hollywood Transgressor have mentioned that Kathryn Bigelow is an auteur, meaning she has a distinct style, which reflects in her movies. Despite the fact that some critics claim that Bigelow does not have a distinct style owing to the fact that she has produced and directed a wide range of movies. They claim that Bigelow’s expertise lies in the fact that she refuses to be categorized. However, even so, this is true about Bigelow’s movies that they are mostly feminist, supporting the women strength. For instance, in the movie Blue Steel, released in 1989, the main character is a female. Played by James Lee Curtis, the character of Megan Turner is that of a rookie cop, who kills a criminal on her first night on duty. Things don’t go as smooth after that since she gets suspended by her superiors because of lack of evidence in her favor, and is accused of murder. Later in the movie, when she gets her badge back for a spcial case, she bravely struggles, and at last successfully brings the criminal, her own ex-boyfriend, Eugene Hunt (Ron Silver) to justice, with a lot of hard work.
In this film, Bigelow shows Megan as a very strong female, a very determinant police officer, reflecting Bigelow’s own feminist views. Megan’s character defies the ordinary and takes assertive decisions that go against the traditional view of femininity. Being a strong supporter of female independence, Bigelow’s personal views do indeed come out in the movie Blue Steel. This depiction of strong females and a reversal of gender roles is not merely a coincidence restricted to Blue Steel. Kathryn Bigelow’s latest movie, Zero Dark Thirty hit the box office in 2012. Turning out to be an amazing hit, the movie not only became very popular, but also served to reflect the Feminist views of its Producer/Director – Kathryn Bigelow, to a great extent. Zero Dark Thirty is a brilliantly directed fictionalized account about the search for Osama bin Laden, that started since the fateful attack of 9/11 on the World Trade Center in New York – an event that changed the lives of many. The movie revolves around the very same incident. Although the film is about three Central intelligence agency officers working together, the director Bigelow only shows one character very closely, who is Maya (Jessica Chastain), a female. Putting the female character in the lead role speaks of Bigelow’s determinacy to see women in a league apart and above that of men. In the film, Maya helps carry out cruel and violent interrogations of detainees – in a manner unlike that of a lady. She is a very strong and powerful character. According to Kathryn Bigelow’s own words, the Film is obviously about a woman. These words were spoken in a speech that has been hailed by critics as one of an overtly feminist view,