Differences and Similitarities between Mozart and Beethovens early and late Symphonies

0 Comment

Personal differences, in terms of lifestyles also contributed to the differences in their symphonies. Thus, the following are the differences and Similarities between Mozart and Beethoven’s early and late Symphonies: Similarities between Mozart and Beethoven’s early Symphonies Mozart and Beethovens early Symphonies were similar in various ways. First, their early symphonies are characterized by the application of the Sonata form, which was the main musical structure that characterized the classical music era (Keefe, 66). The two composers applied Sonata form in almost every one of their works, only that it could be combined with other forms of music structure such as the Rondo and the various forms. The examples that can depict the use of the sonata form in their early works are the Mozart’s K 296 composition and Beethoven’s Piano quartets, also referred to as the WoO 36 (Will, 55). These are some of the earlier compositions by these two musical composers, which depict the application of sonata form, almost in a very identical way. The application of sonata form as a musical structure by the two composers in these two earlier works is depicted by the division of the compositions into three sections. Both the K-296 symphony, which was composed in 1781 by Mozart and the WoO36 Piano quartet’s symphony, which was composed by Beethoven before 1792, displays the classification of the composition into the exposition, a development and a recapitulation sections (Will, 44). These symphonies entail the presentation of a transition, from how the tonal material of the compositions are organized in harmony at the exposition section, then developed into elaboration and contrast at the development section, and finally harmonized and resolved to create a harmoniously integrated rhythm at the recapitulation section (Keefe, 68). This musical structure starts with a harmonized and simplified tonal stability at the exposition section, then enters the development section where more tension is build, and complex tonal textures, far-ranging key changes, and highly agitated rhythms are developed, to create the climax of the musical composition at the development section, and finally enters the recapitulation section, where the tension and tonal complexity is reduced, resulting to a cool harmonious finishing rhythm (Will, 41). These are the major characteristics of Mozart’s K 296 composition and Beethoven’s Piano quartets, which are some of their earlier works. Differences between Mozart and Beethoven’s early Symphonies There are notable differences between Mozart’s and Beethoven’s early symphonies. The difference emanates from the fact that while Mozart was a musical composer of his own making, Beethoven’s musical composition was a hybrid of Mozart’s and other artists’ styles. In developing his symphonies, Beethoven was particularly influenced by Mozart on one hand and Joseph Haydn on the other (Keefe, 72). Therefore, he combined their musical composition styles to create a hybrid, which he then gave his own personality. This led to the development of a unique stylistic composition that was different from those of his influencers.